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JONGHYUN ALBUM song Review
Jonghyun – ‘Base’ Album Review - release date: January 12, 2015
SHINee‘s lead vocalist, Jonghyun, is ready to capture more hearts with his first ever solo mini-album Base. Known for his composing capabilities and powerful vocal, Jonghyun’s solo debut has been a topic of interest to many. In particular, his collaboration with less mainstream yet talented Kpop musicians like Zion. T and Iron raises even more curiosity about the type of music we’ll hear in Base. Overflowing with sexiness and manliness, Base turns out to be a sophisticated album full of seduction. Err on the side of caution when listening — Base may just be too hot to handle. You’ve been warned.
Track 1 – 데자-부 (Déjà-Boo)Déjà-Boo is a perfectly arranged retro pop song with funky rhythms and blowout synthesizers. It’s an incredibly calming song that you’d likely find at a lounge bar. You can also tell from this song that Zion.T and Jonghyun’s musical style and vocals fit really well together.
SHINee‘s lead vocalist, Jonghyun, is ready to capture more hearts with his first ever solo mini-album Base. Known for his composing capabilities and powerful vocal, Jonghyun’s solo debut has been a topic of interest to many. In particular, his collaboration with less mainstream yet talented Kpop musicians like Zion. T and Iron raises even more curiosity about the type of music we’ll hear in Base. Overflowing with sexiness and manliness, Base turns out to be a sophisticated album full of seduction. Err on the side of caution when listening — Base may just be too hot to handle. You’ve been warned.
Track 1 – 데자-부 (Déjà-Boo)
Déjà-Boo is a perfectly arranged retro pop song with funky rhythms and blowout synthesizers. It’s an incredibly calming song that you’d likely find at a lounge bar. You can also tell from this song that Zion.T and Jonghyun’s musical style and vocals fit really well together.
Track 2 – Crazy (Guilty Pleasure)
Featuring the late rapper Iron, Crazy (Guilty Pleasure) has swag written all over. It’s a neo-soul and punk influenced retro pop song that sounds more Western than what we usually hear from the Kpop industry, which makes it a standout in the album. The bridge is particularly notable because of the cool beat and Jonghyun’s eargasmic voice.
Track 3 – 할렐루야 (Hallelujah)
Hallelujah is a slow tempo soulful R&B track full of sensual beats, sultry vocals, and sweltering piano in the background. It’s one hot package of a song, including the choreography. If you watch the dance practice version of the song, get ready for a whole lot of body rolls from Jonghyun.
Track 4 – Love Belt
Another romantic song in all aspects, Love Belt is a medium tempo R&B number accompanied by a string quartet. Jonghyun’s sweet vocals melt perfectly well with Younha‘s sultry voice to add an extra sense of dreaminess. When I close my eyes and listen to Love Belt, I feel like I’m being transported to a different place.
Track 5 – Neon
The sexiness of Base just doesn’t stop as Neon continues to bring fever with seductive vocal and melody. Jonghyun’s falsetto is particularly good in this track that it made me smile listening to it. The tempo and rhythm change during the bridge is what I like most, but the rest of the song doesn’t register as particularly memorable.
Track 6 – 일인극 (MONO-Drama)
MONO-Drama is another mid-tempo R&B track that talks about a guy’s unrequited love and wanting to be with his dream girl. The groovy beat, spectacular piano riffs in the background, and Jonghyun’s emotional vocals are such a joy to listen to when you just want a song to unwind your mind.
Track 7 – 시간이늦었어 (Beautiful Tonight)
Dreamy vocals combined with whistling, wind chimes, and jazzy guitar accompaniment makes Beautiful Tonight an ultra relaxing urban soul tune. It’s definitely a feel-good song meant for a romantic date night.
Track 1 – 데자-부 (Déjà-Boo)Déjà-Boo is a perfectly arranged retro pop song with funky rhythms and blowout synthesizers. It’s an incredibly calming song that you’d likely find at a lounge bar. You can also tell from this song that Zion.T and Jonghyun’s musical style and vocals fit really well together.
SHINee‘s lead vocalist, Jonghyun, is ready to capture more hearts with his first ever solo mini-album Base. Known for his composing capabilities and powerful vocal, Jonghyun’s solo debut has been a topic of interest to many. In particular, his collaboration with less mainstream yet talented Kpop musicians like Zion. T and Iron raises even more curiosity about the type of music we’ll hear in Base. Overflowing with sexiness and manliness, Base turns out to be a sophisticated album full of seduction. Err on the side of caution when listening — Base may just be too hot to handle. You’ve been warned.
Track 1 – 데자-부 (Déjà-Boo)
Déjà-Boo is a perfectly arranged retro pop song with funky rhythms and blowout synthesizers. It’s an incredibly calming song that you’d likely find at a lounge bar. You can also tell from this song that Zion.T and Jonghyun’s musical style and vocals fit really well together.
Track 2 – Crazy (Guilty Pleasure)
Featuring the late rapper Iron, Crazy (Guilty Pleasure) has swag written all over. It’s a neo-soul and punk influenced retro pop song that sounds more Western than what we usually hear from the Kpop industry, which makes it a standout in the album. The bridge is particularly notable because of the cool beat and Jonghyun’s eargasmic voice.
Track 3 – 할렐루야 (Hallelujah)
Hallelujah is a slow tempo soulful R&B track full of sensual beats, sultry vocals, and sweltering piano in the background. It’s one hot package of a song, including the choreography. If you watch the dance practice version of the song, get ready for a whole lot of body rolls from Jonghyun.
Track 4 – Love Belt
Another romantic song in all aspects, Love Belt is a medium tempo R&B number accompanied by a string quartet. Jonghyun’s sweet vocals melt perfectly well with Younha‘s sultry voice to add an extra sense of dreaminess. When I close my eyes and listen to Love Belt, I feel like I’m being transported to a different place.
Track 5 – Neon
The sexiness of Base just doesn’t stop as Neon continues to bring fever with seductive vocal and melody. Jonghyun’s falsetto is particularly good in this track that it made me smile listening to it. The tempo and rhythm change during the bridge is what I like most, but the rest of the song doesn’t register as particularly memorable.
Track 6 – 일인극 (MONO-Drama)
MONO-Drama is another mid-tempo R&B track that talks about a guy’s unrequited love and wanting to be with his dream girl. The groovy beat, spectacular piano riffs in the background, and Jonghyun’s emotional vocals are such a joy to listen to when you just want a song to unwind your mind.
Track 7 – 시간이늦었어 (Beautiful Tonight)
Dreamy vocals combined with whistling, wind chimes, and jazzy guitar accompaniment makes Beautiful Tonight an ultra relaxing urban soul tune. It’s definitely a feel-good song meant for a romantic date night.
JONGHYUN The Collection "Story Op.1" Release Date: September 17, 2015
[One fine moment]
SHINee Jonghyun, stories in his collection
source: http://tenasia.hankyung.com/archives/686821
*Do not edit, re-translate, take without credit
How deep can SHINee Jonghyun’s sensibility go? Jonghyun released his first collection ‘Story Op.1’ on last 7th. The collection holds his 9 newly re-arranged songs that received great responses and are from the project ‘Written by Blue Night, Composed by Him’ in MBC FM4U ‘Blue Night Jonghyun’. In ‘Written by Blue Night, Composed by Him’, Jonghyun receives listener’s stories in advance and writes a song putting his own feelings based on their stories. Listening to stories from ‘Written by Blue Night, Composed by Him’ that were carried out to season 4 from 2014~2015, it makes me wonder how far Jonghyun’s world of sensibility can go. We can also feel Jonghyun’s effort to communicate ceaselessly with his listeners.
Jonghyun is a king of communication. He met the public directly by having a surprise live busking around areas in Seoul on 18th~19th, and now he lets us listen to his songs through his solo concert. It’s a side of Jonghyun who tries to have a genuine communication through music, not just a singer-song writer who simply makes music and sings. Jonghyun will be showing songs in his collection by having his first solo concert ‘THE STORY by JONGHYUN’ in Samseong-dong SMTOWN COEX ARTIUM over the following October on 2~4th, 8~11th, 16~18th, a total of 12 shows.
In the collection, we can get a glimpse of not only Jonghyun’s affection towards his radio and the listeners but also his insight on life, love and friendship. If you get to know how Jonghyun has put his own thoughts in the songs based on what kind of stories he received, you will be much more deeply moved when listening to his collection. I studied into Jonghyun’s world based on the stories that Jonghyun told through ‘Written by Blue Night, Composed by Him’. Radio and Jonghyun meeting together has produced such a fine music and a fine moment.
[Written by Blue Night, Composed by Him Season 1]
# ‘Like You’, released on 2014. 7.8
It is the very first song that had been released. It is a song based on a male listener’s story on his one-sided love. When Jonghyun first read the story, he said that ‘I really like the feeling of heart-fluttering from one sided love that hasn’t yet made its confession’. The story portrayed a man thinking carefully because he could not guess what the woman was feeling. The man wrote that when he met her by chance for the first time it felt like she was magnified in the view, and that he will confess his feelings even though he wasn’t sure of how she felt.
Jonghyun wrote the song focusing on trying to guess the other person’s feelings on your own. This song shows the confused mind of one through lyrics such as ‘Whether it’s a joke or sincerity’, ‘No answers by worrying alone’, ‘What do I do when you smile too’, ‘I can’t guess, I can’t predict how you feel’ and ends by eventually confessing “Please accept me”. He portrays the characteristics that we can all relate to in one-sided love very well. The sweet sound of the keyboard that comes out from the very beginning of the song delivers the heart-fluttering feeling of one-sided love very well. Jonghyun participated in harmony and chorus, and listening to his humorous chorus such as ‘Oh~ God’ is also another interesting point.
#’I’m Sorry’, Released on 2014.7.10
It is based on a story of a woman who felt weak after receiving an email from her ex-boyfriend but ended up not giving a reply. Receiving a contact from your past lover is something everyone who went through break-ups experience. Jonghyun expresses the painful feeling that people go through when they remember things they feel sorry for when they were in love instead of them.
When Jonghyun introduced this song, he said “There are moments when I feel sorry for being selfish (after breaking up). This song was born because the listener also has that feeling of being sorry too”. This song was born with a sad and sorrowful sound through the piano accompaniment and string instruments. It became a much more sad confession with Jonghyun’s falsetto mixed in harmony. Jonghyun revealed the behind story of ‘I’m Sorry’ in the broadcast, “I personally like songs that consist of falsetto. I wanted to make a ballad that started and ended with falsetto for once”.
#’U&I’, Released on 2014.7.11
It’s a theme song of ‘Written by Blue Night, Composed by Him’. It is not a song written based off on listener’s stories, it is a song filled up with the story that Jonghyun wishes to convey to his listeners. U refers to the listeners, and I is Jonghyun. You can feel Jonghyun’s affection towards his radio show through his lyrics “You and I cannot be apart”. If you focus closely to the lyrics, you will be able to know how Jonghyun feels about his radio show. Lyrics such as ‘Please tell me your stories whether it be sad, good, or something to be proud of. I was always the one who did the talking’, ‘I am always waiting for your stories’ shows Jonghyun’s effort to communicate with the listeners.
Jonghyun explained the intention of the song, “Don’t be pressured to think deeply to write a story, treat Blue Night like your diary and let me know your stories comfortably”. The refined pop-style sound creates a comfortable and joyful atmosphere. The narration of ‘OK, GO’ in the introduction that opens the song allows us to imagine Jonghyun holding out his hand to the listeners as a sign of going together.
[Written by Blue Night, Composed by Him Season 2]
# ‘End of a Day’. Released on 2014.11.10
The title song of the collection. Jonghyun’s voice singing ‘The end of my tiring day, you become a cozy blanket, you’ve worked so hard, you’ve had a hard time’ touches your heart. The broadcasting hour of ‘Blue Night’ is after midnight when everyone gets ready to go to bed. It makes people who end their day listening to Jonghyun’s voice want to whimper why their life has to be so difficult when Jonghyun pats them with “You’ve worked so hard”.
Has Jonghyun fully understood all these emotions? When Jonghyun introduced this song, he said “I think perhaps there are many people who think ‘Why do I have to work so hard and come home so late?’. To be honest, I feel that way too. I wrote this song thinking that if someone waited for me at the end of my day filled up with mess, and thinks that I’m their pride even though I’m like this I would feel very reassured”. This lyrics can easily be understood as stories of lovers, but Jonghyun said he received his inspiration from the story between him and his pet dog Byulroo, and picked out ‘You are my pride’ as his favourite lyric.
If you listen to ‘End of a Day’ carefully, before the start of the piano accompaniment Jonghyun expresses the tiring day with a sigh. ‘End of a Day’ is a song that suits well with the expression of its lyrics ‘Just like the warm water in a bathtub’. Although it only uses the piano, its performance that fills up the song without any gap and Jonghyun’s soothing voice that softly goes above feels so warm. It provides a sense of healing just like how you’d say ‘Ah~ How relaxing’ in warm water.
# ‘Happy Birthday’, Released on 2014.11.12
It is of a jazz style genre, and Jonghyun’s vocal that is either slow or sweet makes the atmosphere of the song cool. It feels like a song to listen on birthdays you spend alone drinking wine on your own. Why does it sound sad even though it’s a song congratulating a birthday?
Jonghyun thought “I wanted to create a song that congratulates birthdays that consists of sadness, being hurt, and other various dark emotions.” And told “There are people who send in sad stories and I hope this song would give them comfort”. In the stories that were introduced, there were stories such as spending birthday on their own in loneliness, or wanting to congratulate someone who doesn’t live together anymore or is passed away. Jonghyun said “All I can give is just a “Happy Birthday” message through my voice, but I hope this voice, at least, gives you strength”.
[Written by Blue Night, Composed by Him Season 3]
# ‘Maybe Tomorrow’, Released on 2015.4.7
His idea was unusual. “You can cheer up maybe tomorrow”. There are lots of messages that tell us there are many people who leave their work today to tomorrow and let’s take a rest just for today, but he is saying you can leave cheering up for tomorrow. Jonghyun sends a supporting a message “You can be gloomy for a month but I will still be standing here”. Rather than giving a conventional supporting message like ‘Cheer up’, he pats saying you can cheer up tomorrow instead.
Jonghyun said “I encounter lots of stories telling that ‘people tells me to cheer up but I can’t’” and continued “I wanted to tell a story that it’s okay to cheer up may be tomorrow or be tired or gloomy for next week or the next month” Jonghyun said “Rather than telling someone to ‘Cheer up’, there are times when we need someone to say ‘It can be hard and depressing right now, and you can cheer up whenever you feel ready to’”.
The conversation between a female and Jonghyun that appears at the early part of the song ‘Maybe Tomorrow’ makes us prick our ears to listen. The song holds a conversation with Jonghyun’s high school friend who is also a member of WeFreaky (So Jin) who worked together. It realized the true atmosphere of a genuine conversation of the two by using not a microphone but a recording function on a mobile phone. You can listen to the first track of the collection ‘End of a Day’ and have tears, and cheer up by listening to the last 9th track ‘Maybe Tomorrow’.
# ‘Diphylleia gravi’, Released on 2015. 4.10
How far can Jonghyun’s vocabulary skills go? I was amazed by Jonghyun’s discovery of ‘Diphylleia gravi’. Diphylleia gravi is a small white flower which its petals turn transparent when it gets wet by dew or rain. Jonghyun wonderfully gave an answer to a story sent in by someone taking a first step into the real society asking “Please describe our life through flowers and time”
Jonghyun said “There are things in life that is visible but we cannot avoid. But there are also things that are with us all the time that is invisible. Just like the petals of this flower”. “Life is somewhat like being wet by emotions, being gradually coloured, then being dried out again, or something like that. World is always fluctuating so the only thing that changes the most seem to be our hearts. To understand this change and accept it in a humble way. I think it’s the foundation of happiness”. I was amazed by Jonghyun’s insight and deep thoughts, it was like reading a paragraph out of a book for meditation.
‘Diphylleia gravi’ creates a mysterious atmosphere through using falsetto on grandeur but sad sounds. The sound of ‘Diphylleia gravi’ was made beforehand as Jonghyun wanted to write an OST for Korean historical drama. ‘Diphylleia gravi’, a peculiar flower that seems to only exist in fantasy novels or films, gave birth to a song of masterpiece by meeting Jonghyun.
[Written by Blue Night, Composed by Him Season 4]
# ’02:34’, Released on 2015.7.8
It is a song of Jonghyun’s story. It shows his love towards his friends. Jonghyun revealed the meaning of the title, “When I go & meet my friends after finishing Blue Night, it’s about 2:34 when I arrive”, “My friends already had a lot of alcohol, and I talk about our past memories with those friends, and this song is about that friendship”.
The theme being Jonghyun’s personal story is interesting and deciding the time he meets up with his friend after Blue Night as the title is also interesting. There are many fun points in various parts of the song. The rain sound in the introduction sets up a romantic atmosphere. Jonghyun’s narration of his phone conversation with his friend, Jonghyun’s surprise rap, and also the real life sounds that portray the meeting scene with his friends; we can all listen and relate to it in a humourous way.
# ‘Fine’, Released on 2015.7.13
It’s sexy. It catches the confession of a reckless man through his questions such as ‘You don’t have to hide your feelings today, do it how you feel like, wouldn’t that be fine’. ‘I’m going to slowly kiss you, wouldn’t that be fine?’. This is the way how Jonghyun interprets ‘some’ (T/N: that awkward, heart-fluttering stage between two people not yet in an official relationship). The string instruments and guitar’s rhythmical play has been re-arranged in a sensuous way.
Jonghyun revealed the background of the song “The decisive moment for any action that could take place between a male and female is when they are left alone. Just like that, the situation of being alone together holds many possibilities”, “I think radio is somewhat like that too. It makes me feel being alone together”. You might melt down in his sexiness listening to Jonghyun’s voice of “wouldn’t that be fine too?” through the ear phones. You can also take a peek of listeners enjoying a date with Jonghyun every night listening to ‘Blue Night’.
Repoter, Soo Jung Park.
SHINee Jonghyun, stories in his collection
source: http://tenasia.hankyung.com/archives/686821
*Do not edit, re-translate, take without credit
How deep can SHINee Jonghyun’s sensibility go? Jonghyun released his first collection ‘Story Op.1’ on last 7th. The collection holds his 9 newly re-arranged songs that received great responses and are from the project ‘Written by Blue Night, Composed by Him’ in MBC FM4U ‘Blue Night Jonghyun’. In ‘Written by Blue Night, Composed by Him’, Jonghyun receives listener’s stories in advance and writes a song putting his own feelings based on their stories. Listening to stories from ‘Written by Blue Night, Composed by Him’ that were carried out to season 4 from 2014~2015, it makes me wonder how far Jonghyun’s world of sensibility can go. We can also feel Jonghyun’s effort to communicate ceaselessly with his listeners.
Jonghyun is a king of communication. He met the public directly by having a surprise live busking around areas in Seoul on 18th~19th, and now he lets us listen to his songs through his solo concert. It’s a side of Jonghyun who tries to have a genuine communication through music, not just a singer-song writer who simply makes music and sings. Jonghyun will be showing songs in his collection by having his first solo concert ‘THE STORY by JONGHYUN’ in Samseong-dong SMTOWN COEX ARTIUM over the following October on 2~4th, 8~11th, 16~18th, a total of 12 shows.
In the collection, we can get a glimpse of not only Jonghyun’s affection towards his radio and the listeners but also his insight on life, love and friendship. If you get to know how Jonghyun has put his own thoughts in the songs based on what kind of stories he received, you will be much more deeply moved when listening to his collection. I studied into Jonghyun’s world based on the stories that Jonghyun told through ‘Written by Blue Night, Composed by Him’. Radio and Jonghyun meeting together has produced such a fine music and a fine moment.
[Written by Blue Night, Composed by Him Season 1]
# ‘Like You’, released on 2014. 7.8
It is the very first song that had been released. It is a song based on a male listener’s story on his one-sided love. When Jonghyun first read the story, he said that ‘I really like the feeling of heart-fluttering from one sided love that hasn’t yet made its confession’. The story portrayed a man thinking carefully because he could not guess what the woman was feeling. The man wrote that when he met her by chance for the first time it felt like she was magnified in the view, and that he will confess his feelings even though he wasn’t sure of how she felt.
Jonghyun wrote the song focusing on trying to guess the other person’s feelings on your own. This song shows the confused mind of one through lyrics such as ‘Whether it’s a joke or sincerity’, ‘No answers by worrying alone’, ‘What do I do when you smile too’, ‘I can’t guess, I can’t predict how you feel’ and ends by eventually confessing “Please accept me”. He portrays the characteristics that we can all relate to in one-sided love very well. The sweet sound of the keyboard that comes out from the very beginning of the song delivers the heart-fluttering feeling of one-sided love very well. Jonghyun participated in harmony and chorus, and listening to his humorous chorus such as ‘Oh~ God’ is also another interesting point.
#’I’m Sorry’, Released on 2014.7.10
It is based on a story of a woman who felt weak after receiving an email from her ex-boyfriend but ended up not giving a reply. Receiving a contact from your past lover is something everyone who went through break-ups experience. Jonghyun expresses the painful feeling that people go through when they remember things they feel sorry for when they were in love instead of them.
When Jonghyun introduced this song, he said “There are moments when I feel sorry for being selfish (after breaking up). This song was born because the listener also has that feeling of being sorry too”. This song was born with a sad and sorrowful sound through the piano accompaniment and string instruments. It became a much more sad confession with Jonghyun’s falsetto mixed in harmony. Jonghyun revealed the behind story of ‘I’m Sorry’ in the broadcast, “I personally like songs that consist of falsetto. I wanted to make a ballad that started and ended with falsetto for once”.
#’U&I’, Released on 2014.7.11
It’s a theme song of ‘Written by Blue Night, Composed by Him’. It is not a song written based off on listener’s stories, it is a song filled up with the story that Jonghyun wishes to convey to his listeners. U refers to the listeners, and I is Jonghyun. You can feel Jonghyun’s affection towards his radio show through his lyrics “You and I cannot be apart”. If you focus closely to the lyrics, you will be able to know how Jonghyun feels about his radio show. Lyrics such as ‘Please tell me your stories whether it be sad, good, or something to be proud of. I was always the one who did the talking’, ‘I am always waiting for your stories’ shows Jonghyun’s effort to communicate with the listeners.
Jonghyun explained the intention of the song, “Don’t be pressured to think deeply to write a story, treat Blue Night like your diary and let me know your stories comfortably”. The refined pop-style sound creates a comfortable and joyful atmosphere. The narration of ‘OK, GO’ in the introduction that opens the song allows us to imagine Jonghyun holding out his hand to the listeners as a sign of going together.
[Written by Blue Night, Composed by Him Season 2]
# ‘End of a Day’. Released on 2014.11.10
The title song of the collection. Jonghyun’s voice singing ‘The end of my tiring day, you become a cozy blanket, you’ve worked so hard, you’ve had a hard time’ touches your heart. The broadcasting hour of ‘Blue Night’ is after midnight when everyone gets ready to go to bed. It makes people who end their day listening to Jonghyun’s voice want to whimper why their life has to be so difficult when Jonghyun pats them with “You’ve worked so hard”.
Has Jonghyun fully understood all these emotions? When Jonghyun introduced this song, he said “I think perhaps there are many people who think ‘Why do I have to work so hard and come home so late?’. To be honest, I feel that way too. I wrote this song thinking that if someone waited for me at the end of my day filled up with mess, and thinks that I’m their pride even though I’m like this I would feel very reassured”. This lyrics can easily be understood as stories of lovers, but Jonghyun said he received his inspiration from the story between him and his pet dog Byulroo, and picked out ‘You are my pride’ as his favourite lyric.
If you listen to ‘End of a Day’ carefully, before the start of the piano accompaniment Jonghyun expresses the tiring day with a sigh. ‘End of a Day’ is a song that suits well with the expression of its lyrics ‘Just like the warm water in a bathtub’. Although it only uses the piano, its performance that fills up the song without any gap and Jonghyun’s soothing voice that softly goes above feels so warm. It provides a sense of healing just like how you’d say ‘Ah~ How relaxing’ in warm water.
# ‘Happy Birthday’, Released on 2014.11.12
It is of a jazz style genre, and Jonghyun’s vocal that is either slow or sweet makes the atmosphere of the song cool. It feels like a song to listen on birthdays you spend alone drinking wine on your own. Why does it sound sad even though it’s a song congratulating a birthday?
Jonghyun thought “I wanted to create a song that congratulates birthdays that consists of sadness, being hurt, and other various dark emotions.” And told “There are people who send in sad stories and I hope this song would give them comfort”. In the stories that were introduced, there were stories such as spending birthday on their own in loneliness, or wanting to congratulate someone who doesn’t live together anymore or is passed away. Jonghyun said “All I can give is just a “Happy Birthday” message through my voice, but I hope this voice, at least, gives you strength”.
[Written by Blue Night, Composed by Him Season 3]
# ‘Maybe Tomorrow’, Released on 2015.4.7
His idea was unusual. “You can cheer up maybe tomorrow”. There are lots of messages that tell us there are many people who leave their work today to tomorrow and let’s take a rest just for today, but he is saying you can leave cheering up for tomorrow. Jonghyun sends a supporting a message “You can be gloomy for a month but I will still be standing here”. Rather than giving a conventional supporting message like ‘Cheer up’, he pats saying you can cheer up tomorrow instead.
Jonghyun said “I encounter lots of stories telling that ‘people tells me to cheer up but I can’t’” and continued “I wanted to tell a story that it’s okay to cheer up may be tomorrow or be tired or gloomy for next week or the next month” Jonghyun said “Rather than telling someone to ‘Cheer up’, there are times when we need someone to say ‘It can be hard and depressing right now, and you can cheer up whenever you feel ready to’”.
The conversation between a female and Jonghyun that appears at the early part of the song ‘Maybe Tomorrow’ makes us prick our ears to listen. The song holds a conversation with Jonghyun’s high school friend who is also a member of WeFreaky (So Jin) who worked together. It realized the true atmosphere of a genuine conversation of the two by using not a microphone but a recording function on a mobile phone. You can listen to the first track of the collection ‘End of a Day’ and have tears, and cheer up by listening to the last 9th track ‘Maybe Tomorrow’.
# ‘Diphylleia gravi’, Released on 2015. 4.10
How far can Jonghyun’s vocabulary skills go? I was amazed by Jonghyun’s discovery of ‘Diphylleia gravi’. Diphylleia gravi is a small white flower which its petals turn transparent when it gets wet by dew or rain. Jonghyun wonderfully gave an answer to a story sent in by someone taking a first step into the real society asking “Please describe our life through flowers and time”
Jonghyun said “There are things in life that is visible but we cannot avoid. But there are also things that are with us all the time that is invisible. Just like the petals of this flower”. “Life is somewhat like being wet by emotions, being gradually coloured, then being dried out again, or something like that. World is always fluctuating so the only thing that changes the most seem to be our hearts. To understand this change and accept it in a humble way. I think it’s the foundation of happiness”. I was amazed by Jonghyun’s insight and deep thoughts, it was like reading a paragraph out of a book for meditation.
‘Diphylleia gravi’ creates a mysterious atmosphere through using falsetto on grandeur but sad sounds. The sound of ‘Diphylleia gravi’ was made beforehand as Jonghyun wanted to write an OST for Korean historical drama. ‘Diphylleia gravi’, a peculiar flower that seems to only exist in fantasy novels or films, gave birth to a song of masterpiece by meeting Jonghyun.
[Written by Blue Night, Composed by Him Season 4]
# ’02:34’, Released on 2015.7.8
It is a song of Jonghyun’s story. It shows his love towards his friends. Jonghyun revealed the meaning of the title, “When I go & meet my friends after finishing Blue Night, it’s about 2:34 when I arrive”, “My friends already had a lot of alcohol, and I talk about our past memories with those friends, and this song is about that friendship”.
The theme being Jonghyun’s personal story is interesting and deciding the time he meets up with his friend after Blue Night as the title is also interesting. There are many fun points in various parts of the song. The rain sound in the introduction sets up a romantic atmosphere. Jonghyun’s narration of his phone conversation with his friend, Jonghyun’s surprise rap, and also the real life sounds that portray the meeting scene with his friends; we can all listen and relate to it in a humourous way.
# ‘Fine’, Released on 2015.7.13
It’s sexy. It catches the confession of a reckless man through his questions such as ‘You don’t have to hide your feelings today, do it how you feel like, wouldn’t that be fine’. ‘I’m going to slowly kiss you, wouldn’t that be fine?’. This is the way how Jonghyun interprets ‘some’ (T/N: that awkward, heart-fluttering stage between two people not yet in an official relationship). The string instruments and guitar’s rhythmical play has been re-arranged in a sensuous way.
Jonghyun revealed the background of the song “The decisive moment for any action that could take place between a male and female is when they are left alone. Just like that, the situation of being alone together holds many possibilities”, “I think radio is somewhat like that too. It makes me feel being alone together”. You might melt down in his sexiness listening to Jonghyun’s voice of “wouldn’t that be fine too?” through the ear phones. You can also take a peek of listeners enjoying a date with Jonghyun every night listening to ‘Blue Night’.
Repoter, Soo Jung Park.
She Is - Release date: May 24, 2016
Track 1 – 좋아 (She Is)
She Is is the first song which also happens to be the title track. This is an electro funk number that talks about liking everything that “she is”. It’s a fun number laid over with Jonghyun’s fantastic falsetto. My favorite thing about this track is how he says the phrase “she is” throughout the song, but it doesn’t feel boring or redundant in any way.
Track 2 – White T-Shirt
Here we have a pop tune with infusions of techno. White T-Shirt talks about liking the simplicity of a girl wearing a white t-shirt as it makes her even more beautiful. It’s a catchy tune that gives me the impression that Jonghyun is really into repetition as he constantly says “white t-shirt” in this song too. In this track, we get to hear a more playful side of Jonghyun.
Track 3 – 우주가 있어 (Orbit)
Orbit is more laid back compared to the first couple of songs. It’s an R&B number with bass and jazz feels that compares his lover to the outer space and its attributes. The song has a melody and feel that grows on you after a few listens, especially in the chorus. It’s a great song to sing for or dedicate to a lover.
Track 4 – Moon
This is a classic R&B tune coupled with Jonghyun’s amazing falsetto voice again. The lyrics in Moon have a seductive feel as Jonghyun tries to get his lover to relax and promises to take her to the moon. The song immediately reminds me of western singers like The Weekend and Zayn Malik. It’s the perfect background song for an evening out with a lover.
Track 5 – Aurora
Aurora talks about finally meeting someone you only dreamed of meeting, and the magical feelings it brings you. This R&B soul track has a surreal kind of feel in its lyrics and it makes you want to sing along right on the first listen. Aurora has a mellow and groovy vibe that is soothing for a late night summer drive.
Track 6 – Dress Up
This is an uptempo dance song with EDM and a sprinkle of hip hop. Dress Up will make you want to move your body. In the song, a man asks his girl how she’s going to dress up today. As with previous tracks, Jonghyun expertly makes repetition pleasant to the ears and not redundant.
Track 7 – Cocktail
This is another slow paced R&B track in which the singer compares his lover to a cocktail that he is addicted to drinking. Cocktail adds a hip hop rhythm in the chorus with trap elements while Jonghyun smooths his vocals out, this combination of which adds interest and depth to the track. One of Cocktail’s best charms is how the melody line in the chorus sticks in your mind and doesn’t let go. I found myself singing “you’re my cocktail” repeatedly at random intervals after the first listen.
Track 9 – Suit Up
The ending track, Suit Up, is a laid back tune with R&B inspirations and a little bass elements. The song is a sweet, heart warming wedding song that a couple can comfortably dance to holding each other, and the perfect conclusion to this album.
Source: Funcurve
She Is is the first song which also happens to be the title track. This is an electro funk number that talks about liking everything that “she is”. It’s a fun number laid over with Jonghyun’s fantastic falsetto. My favorite thing about this track is how he says the phrase “she is” throughout the song, but it doesn’t feel boring or redundant in any way.
Track 2 – White T-Shirt
Here we have a pop tune with infusions of techno. White T-Shirt talks about liking the simplicity of a girl wearing a white t-shirt as it makes her even more beautiful. It’s a catchy tune that gives me the impression that Jonghyun is really into repetition as he constantly says “white t-shirt” in this song too. In this track, we get to hear a more playful side of Jonghyun.
Track 3 – 우주가 있어 (Orbit)
Orbit is more laid back compared to the first couple of songs. It’s an R&B number with bass and jazz feels that compares his lover to the outer space and its attributes. The song has a melody and feel that grows on you after a few listens, especially in the chorus. It’s a great song to sing for or dedicate to a lover.
Track 4 – Moon
This is a classic R&B tune coupled with Jonghyun’s amazing falsetto voice again. The lyrics in Moon have a seductive feel as Jonghyun tries to get his lover to relax and promises to take her to the moon. The song immediately reminds me of western singers like The Weekend and Zayn Malik. It’s the perfect background song for an evening out with a lover.
Track 5 – Aurora
Aurora talks about finally meeting someone you only dreamed of meeting, and the magical feelings it brings you. This R&B soul track has a surreal kind of feel in its lyrics and it makes you want to sing along right on the first listen. Aurora has a mellow and groovy vibe that is soothing for a late night summer drive.
Track 6 – Dress Up
This is an uptempo dance song with EDM and a sprinkle of hip hop. Dress Up will make you want to move your body. In the song, a man asks his girl how she’s going to dress up today. As with previous tracks, Jonghyun expertly makes repetition pleasant to the ears and not redundant.
Track 7 – Cocktail
This is another slow paced R&B track in which the singer compares his lover to a cocktail that he is addicted to drinking. Cocktail adds a hip hop rhythm in the chorus with trap elements while Jonghyun smooths his vocals out, this combination of which adds interest and depth to the track. One of Cocktail’s best charms is how the melody line in the chorus sticks in your mind and doesn’t let go. I found myself singing “you’re my cocktail” repeatedly at random intervals after the first listen.
Track 9 – Suit Up
The ending track, Suit Up, is a laid back tune with R&B inspirations and a little bass elements. The song is a sweet, heart warming wedding song that a couple can comfortably dance to holding each other, and the perfect conclusion to this album.
Source: Funcurve
Listen to this album being performed by Jonghyun below...
JONGHYUN – The Collection “Story Op. 2” - Release date: April 24, 2017
Jonghyun recently released “Story Op. 2,” the second part (of an undisclosed number of parts) of The Collection, a multi-album compilation series of Jonghyun’s own self-written and self-produced works. “Story Op. 1” was a endearingly sweet chapter of songs Jonghyun had written about and for his listeners while hosting MBC’s Blue Night radio broadcasts. Any information on whether or not “Story Op.2”’s tracks also followed this trend was hard to come by but about half the songs on this new compilation album are previous releases–“Elevator” from 2015’s MNet Monthly Live Connection and “1000,” “Just Chill,” “Love is So Nice,” and “Our Season” being released in the latter half of 2016 on Blue Night. “Story Op. 2” thus contains five previously unreleased tracks, one of which is available on the physical album only. Since I don’t yet own a physical copy, I will only be talking about tracks one through nine today.
“Story Op. 2” is just as charming but perhaps a bit more mature of a release compared to “Story Op. 1”, expanding upon that album’s jazz and ballad inspired sound by exploring new musical ideas. While tracks like “Blinking Game” and “Elevator” follow “Story Op. 1”’s style, the others have a more mainstream sound comparatively, infusing elements of pop on the Taeyeon feature, “Lonely”, indie R&B on tracks like “Love is So Nice” and “Fireplace,” and even the grandiose instrumentation of power pop on “Let Me Out”. The influence of his debut album, She Is, may account for this shift as, at times, I heard the more pop elements of that album leaking into the production on “Story Op. 2”. However, these changes are by no means jarring and the two compilation albums are definitely related musically, “Story Op. 2” perhaps being a more realized and diverse version of “Story Op. 1” as Jonghyun continues to develop his own sound. He is quite adept at experimenting with different styles and inspirations within his past releases–Jonghyun’s Base EP, She Is debut album, and The Collection series (not to mention the numerous works as a member of SHINee) all have distinctive musicalities and moods, existing in their separate musical spaces while still branding a specific and eclectic “Jonghyun” style: an atmospheric mixing of jazz, soul, R&B, and pop singer-songwriter aesthetics into an original and appealing sound.
The production on this album seemed more professional and perhaps more produced than “Story Op. 1” but I can’t decide if that’s a good thing or a bad thing since I quite liked the more humble production singer-songwriter vibe of the first part of The Collection. However, Jonghyun does have more writing and arranging credits on “Story Op. 2” (he’s credited as self-composing every song on the album and arranging every song but one–“Our Season”), making this album even more authentically his own than any of his previous releases. Although I may like the more homemade feel of “Story Op. 1”, I cannot deny that the sharper production on “Story Op. 2” means Jonghyun has improved not only his skills as a composer but also as a producer.
One song I did have some problems production-wise was “Let Me Out,” which felt over produced and not as well mixed. It’s just easier to mix on tracks like “Lonely” or “1000” which have fewer instruments and voices to blend together and this may be why Jonghyun struggles more with “Let Me Out”, which had a lot more going on than the other songs. The frequencies of the strings, Jonghyun’s voice, the guitar, and the drums all hit at the same place and had a similar griminess throughout, giving the song an overall impression of being a wall of unmixed sound. And sometimes too Jonghyun’s beautiful voice and falsetto got lost in all that. I was disgruntled when they distorted his high chords during the chorus and let them sort of fold into the mix. This is a power pop sort of song–you can’t lose the vocals!
However, although “Let Me Out” had some issues, “Fireplace”, another complex song instrumentally, ended up being one of my favorites on the album. The synths are expertly mixed, light and dreamy, floating effortlessly throughout the musical space of the song, balanced perfectly with Jonghyun’s soft vocals. The drums feel a little strong at moments and I wish Jonghyun’s voice was more towards the front of the track at these times. But at the chorus when his voice comes through all filtered and sort of floats in and around the synths and the distorted female voice? Oof. So satisfying. The soundscape is beautiful, spacey like She Is’s “Moon”, full and lush while utilizing every part of the musical landscape as if enveloping the listener in a cloud of sound.
Overall this is a consistent release with what Jonghyun has given us in the past and a perfect followup to The Collections’ “Story Op. 1”. I will always look forward to his next release, whether it be SHINee, a collaboration, or his sophomore studio album.
My favorite tracks are “Just Chill”, “Elevator”, “Fireplace”, and “Our Season” because each separately embodies what I love about Jonghyun: his synth arrangements, his proclivity for moody ballads, his R&B stylings, and his voice (respectively).
Source: Lucidpopreviews
“Story Op. 2” is just as charming but perhaps a bit more mature of a release compared to “Story Op. 1”, expanding upon that album’s jazz and ballad inspired sound by exploring new musical ideas. While tracks like “Blinking Game” and “Elevator” follow “Story Op. 1”’s style, the others have a more mainstream sound comparatively, infusing elements of pop on the Taeyeon feature, “Lonely”, indie R&B on tracks like “Love is So Nice” and “Fireplace,” and even the grandiose instrumentation of power pop on “Let Me Out”. The influence of his debut album, She Is, may account for this shift as, at times, I heard the more pop elements of that album leaking into the production on “Story Op. 2”. However, these changes are by no means jarring and the two compilation albums are definitely related musically, “Story Op. 2” perhaps being a more realized and diverse version of “Story Op. 1” as Jonghyun continues to develop his own sound. He is quite adept at experimenting with different styles and inspirations within his past releases–Jonghyun’s Base EP, She Is debut album, and The Collection series (not to mention the numerous works as a member of SHINee) all have distinctive musicalities and moods, existing in their separate musical spaces while still branding a specific and eclectic “Jonghyun” style: an atmospheric mixing of jazz, soul, R&B, and pop singer-songwriter aesthetics into an original and appealing sound.
The production on this album seemed more professional and perhaps more produced than “Story Op. 1” but I can’t decide if that’s a good thing or a bad thing since I quite liked the more humble production singer-songwriter vibe of the first part of The Collection. However, Jonghyun does have more writing and arranging credits on “Story Op. 2” (he’s credited as self-composing every song on the album and arranging every song but one–“Our Season”), making this album even more authentically his own than any of his previous releases. Although I may like the more homemade feel of “Story Op. 1”, I cannot deny that the sharper production on “Story Op. 2” means Jonghyun has improved not only his skills as a composer but also as a producer.
One song I did have some problems production-wise was “Let Me Out,” which felt over produced and not as well mixed. It’s just easier to mix on tracks like “Lonely” or “1000” which have fewer instruments and voices to blend together and this may be why Jonghyun struggles more with “Let Me Out”, which had a lot more going on than the other songs. The frequencies of the strings, Jonghyun’s voice, the guitar, and the drums all hit at the same place and had a similar griminess throughout, giving the song an overall impression of being a wall of unmixed sound. And sometimes too Jonghyun’s beautiful voice and falsetto got lost in all that. I was disgruntled when they distorted his high chords during the chorus and let them sort of fold into the mix. This is a power pop sort of song–you can’t lose the vocals!
However, although “Let Me Out” had some issues, “Fireplace”, another complex song instrumentally, ended up being one of my favorites on the album. The synths are expertly mixed, light and dreamy, floating effortlessly throughout the musical space of the song, balanced perfectly with Jonghyun’s soft vocals. The drums feel a little strong at moments and I wish Jonghyun’s voice was more towards the front of the track at these times. But at the chorus when his voice comes through all filtered and sort of floats in and around the synths and the distorted female voice? Oof. So satisfying. The soundscape is beautiful, spacey like She Is’s “Moon”, full and lush while utilizing every part of the musical landscape as if enveloping the listener in a cloud of sound.
Overall this is a consistent release with what Jonghyun has given us in the past and a perfect followup to The Collections’ “Story Op. 1”. I will always look forward to his next release, whether it be SHINee, a collaboration, or his sophomore studio album.
My favorite tracks are “Just Chill”, “Elevator”, “Fireplace”, and “Our Season” because each separately embodies what I love about Jonghyun: his synth arrangements, his proclivity for moody ballads, his R&B stylings, and his voice (respectively).
Source: Lucidpopreviews
Poet | Artist - Post humous release: 23 January 2018
We can be together in this space, while being on the other side of the earth. We can be together at any time, not just at 12 o'clock. Physical matters certainly remained indifferent in our space. I only hope for this to never cease. I hope this space that belongs to you & me, be the site for anyone to rest in tranquility. I hope for our memories to rise as reminiscences and embrace you like no other. This is dedicated to those who have created our space together. Thank you.
Listen Below....
The songs are mostly short and to-the-point, resulting in a catchy pop record that isn't particularly ambitious but is remarkably-dependable in its straightforward immediacy. ... Falling atop K-Pop's identifiably minor-chords-laden melodic structure, it lends most of Poet / Artist an ironically catchy wistfulness.
I once described Kim Jonghyun as a man obsessed. Indeed, much of his music evokes a sense of desperately needing something: love, help, time. With every release, there was an audible increase in his desire to reach some sort of musical zenith. Every album built upon the one before it in musical scope and depth, nuance and experimentation. With his final release, the aptly titled Poet | Artist, Jonghyun reached that peak, in fact stretched beyond it to give us a truly elegant piece of music.
The album opens a bit just like BASE and She Is before it: a playful composition with bright vocals to invite listeners in. Jonghyun definitely gets bonus points for avoiding the need to fall into the trend of moombah-pop that pervades much of K-pop now, opting for more direct ties to Latino music by infusing the sound with a more Samba-based composition.
“Shinin’” is deceptively sweet, Jonghyun luring you in with promises of happiness, smiles, and all the stuff innocent dispositions are made of:
An aura is around your white skin
Even if I go blind, I wanna go closer, I don’t know
Feels like you’re the only one on this earth
It’s only you who walks, only you (you you).
But, taking a page out of Frank Ocean’s book, the best song wasn’t the single.
The album starts in earnest with the second track.“Only One You Need” draws from the same
“Only One You Need” draws from the same almost obsessive need one can hear in songs like “Cocktail” or “MONO (Drama),” if not in composition certainly in vocal direction. He takes this moment to dive further into House conventions, using classic construction: island House that defined much of the sound in the mid-’90s. It’s a sound that sits at the core of most of the album. It’s his natural inclinations as a man addicted to sensation, however, that drives it.
Jonghyun was deeply sensual, unapologetically so (if She Is is any indication).
“Grease” shows how playful he was in that sensuality. The song doesn’t exactly ignite and explode. The flame’s already there, left flickering after a one-night stand. What he’s done in all his intelligence is gradually add more of the fuel of the song’s namesake and let those flames expand. This is a slow grind with a heat that simmers, never letting the listener (or the object of his affection-turned-ire) cool down from the touch and burn, no matter how much he claims to want to “clean it up, fix it up.”
From tempting the curious with his ever-glowing flame, he implores listeners to take a leap of faith, close their eyes and just let the pulsating glow entice them. His sensual nature was second only to his musical fearlessness.
With “Take a Dive,” he’s submerged himself in an emotion, a feeling about someone who’s sparked a curiosity, then obsession to find out just how deep he can go — and perhaps the suggestion that losing himself in something that adds “colors in my once colorless heart” wouldn’t be such a bad idea.
In “Rewind,” he takes it back to the original days of House, its birthplace in the Midwest, the whisper and snap of the genre when it was first taking baby steps out of hip-hop’s ever-expanding shadow. Lyrically “Rewind” speaks of hovering in a constant state of limbo, but his insistent (again, obsessive) desire to start again propels the track, forcing lyric and composition to depend on one another.
Thus the absolute brilliance of this man. For those paying attention, Jonghyun has mastered the art of the subliminal message. The husky breathiness of it all, his counting to three in Korean, English, German, French, Japanese, and Spanish, the word “rewind” dropping all four on the floor throughout — a display so vulgar, it seems, KBS has banned the song from appearing on broadcasts (citing the use of Japanese as the song’s indiscretion). I was absolutely forced to rewind the track. It was unavoidable. Anyone who can dig that deep and stand firmly on the very roots of House music — I’m talking Frank Knuckles, Jamie Principle drips…. At this point I just have to accept that musically Jonghyun was a freak of nature — naturally freaky and ready to completely queer your understanding of who you thought he was.
Of course, even in the end, Jonghyun could never hide anything. The album seemed to be a purging of sorts, the last push of his creative muscles, and what a sprint to the finish it was.
“Before Our Spring,” however, seems to be the last word. Even without trying to read too much into it, the lyrics are very plain. This was a man who was resigned to winter, even proclaiming he doesn’t want to see spring come, wanting to stay in this frozen moment where seeing someone smile is enough. But in the end, even with the admission that there’s something just… cold inside him that won’t let go, he assures his listener, “Don’t worry about what to do. I’m alright, spring will come to me too.”
Much of the first half of the album is subdued vocally. There’s a great deal of softness around the edges, nothing rushed or hurried. It’s languid like a… we’ll say long kiss goodnight for propriety’s sake. With the unhurried nature of the album, Jonghyun allowed himself to fully explore all his musical tastes. His appreciation of various ways of musical thought fed his artistry. Though there’s an undercurrent of the same type of almost throbbing push and pull throughout Poet | Artist, he manages to express it in so many ways. Horns to fill in quiet spaces with some sunshine. The bare heartache of a piano to stretch out an emotion to fit a song’s entirety. Clever bits of sex to illustrate that the itch inside him was so deep his poet needed to explore and his artist needed to act on it.
Jonghyun was a musical marvel. This isn’t a titter of sentimentality because of the
circumstances surrounding the release. He understood the angles of music, the avenues you could take and where those streets would eventually put you. When delving into R&B, he dug deep for the soul of it. When he reached back into House’s warehouse origins, he explored every nook and cranny and came back with gold. There were moments when I just found myself laughing out loud, a gut reaction to something that impresses me so much it tickles the hell out of me.
While this was Jonghyun’s last project, this wasn’t a piece of music exploring sadness or hopelessness, at least not insofar as what may have taken him from us. No. This was a pure, unfiltered celebration of music for music’s sake, a deeper peek into who he was as an artist, and yes, a poet. It’s the intersection where sentimental poet meets self-indulgent artist. He explored that dichotomy, giving us every bit of his creativity by taking the time to explore it himself.
The music is varied, genres melting into one another, as if a painter giving us a landscape, then completely obliterating what we see by letting the wet bristles drip on the canvas. The scene is blurred, muddied, allowed to run on itself and down to the floor. I truly believe Poet | Artist was Jonghyun’s attempt to completely blur the line between the two entities. That hard vertical line between them is a theory, a moment for him to posit, “Well, what if…?” With this album he postulates when you allow yourself, one can’t exist without the other.
2016 was perhaps one of the most painful years in recent memory. There are a number of reasons for that, none more obvious than the passing of several of music’s most beloved, inspirational figures. David Bowie. Prince. Leonard Cohen. Maurice White. Sharon Jones. Phife Dawg. George Michael. Who would’ve guessed almost sixty years after what has been dubbed “The Day the Music Died” we’d hit another point where it seemed all the music in the world disappeared?
December 18, 2017. Just as we were trying to come to painful grips with the losses of Chester Bennington and Chris Cornell, a week before Christmas, another was taken from us. I won’t
go into why those deaths in particular amid a list of legendary artists who passed stood out, but there’s very little reason to guess, is there? We all believe our favorite artists the most amazing creatures on the planet. Comes with the territory, I suppose. There’s no denying that Kim Jonghyun was special, and the world at large is a bit dimmer because he’s no longer in it.
It still hurts. It very well may for the rest of my life, to be honest. But I can now truly and with feeling say “You did well, Jonghyun” and mean it with everything that I am. This man hit an artistic pinnacle, and he did it earnestly with class and absolute fearlessness. All that’s left to say now is…
Thank you.
Source: SeoulBeats
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